Jump to content

Daniel Barenboim

From Wikipedia, the free encyclopedia
"Barenboim" redirects here. For other people, see Barenboim (surname).

Daniel Barenboim
Barenboim receiving the 2019 Konrad Adenauer Prize from the City of Cologne
Born (1942-11-15) 15 November 1942 (age 81)
Buenos Aires, Argentina
Nationality
  • Argentina
  • Spain
  • Israel
  • Palestine
Occupations
  • Pianist
  • conductor
Years active1952–present
Spouses
​
​
(m. 1967; died 1987)​
​
(m. 1988)​
Children2
Daniel Barenboim's voice
from the BBC Reith Lecture, 7 April 2006.[1]
Websitedanielbarenboim.com

Daniel Barenboim (Hebrew: דניאל בארנבוים; born 15 November 1942) is an Argentine-Israeli classical pianist and conductor based in Berlin, who also has Spanish and Palestinian citizenship[2]. From 1992 until January 2023, Barenboim was the general music director of the Berlin State Opera and "Staatskapellmeister" of its orchestra, the Staatskapelle Berlin.[3]

Barenboim previously served as music director of the Chicago Symphony Orchestra, the Orchestre de Paris and La Scala in Milan.[4] Barenboim is known for his work with the West–Eastern Divan Orchestra, a Seville-based orchestra of young Arab and Israeli musicians, and as a resolute critic of the Israeli occupation of Palestinian territories.[5]

Barenboim has received many awards and prizes, including seven Grammy awards, an honorary Knight Commander of the Order of the British Empire,[6] France's Legion of Honour as a Commander, Grand Officier and Grand Cross, and the Grand Cross of the Order of Merit of the Federal Republic of Germany. In 2002, along with Palestinian-American scholar Edward Said, he was given Spain's Prince of Asturias Concord Award. Barenboim is multilingual, fluent in English, French, German, Hebrew, Italian, and Spanish.

Biography

[edit]
Daniel Barenboim, age 11, with composer Eithan Lustig and the Gadna Youth orchestra (1953)
Barenboim's wedding in Jerusalem, 1967. Beno Rothenberg, Meitar collection, National Library of Israel

Daniel Barenboim was born on 15 November 1942 in Buenos Aires, Argentina, to Jewish parents Aida (née Schuster) and Enrique Barenboim, both professional pianists.[7] He started piano lessons at the age of five with his mother, continuing to study with his father, who remained his only teacher. On 19 August 1950, at the age of seven, he gave his first formal concert, in Buenos Aires.[8]

In 1952, Barenboim's family moved to Israel. Two years later, in the summer of 1954, his parents took him to Salzburg to take part in Igor Markevitch's conducting classes. During that summer he also met and played for Wilhelm Furtwängler, who has remained a central musical influence and ideal for Barenboim.[9] Furtwängler called the young Barenboim a "phenomenon" and invited him to perform the Beethoven First Piano Concerto with the Berlin Philharmonic, but Barenboim's father considered it too soon after the Second World War for a Jewish boy to go to Germany.[10] In 1955, Barenboim studied harmony and composition with Nadia Boulanger in Paris.

On 15 June 1967, Barenboim and British cellist Jacqueline du Pré were married in Jerusalem at a Western Wall ceremony, du Pré having converted to Judaism.[11] Acting as one of the witnesses was the conductor Zubin Mehta, a long-time friend of Barenboim. Since "I was not Jewish I had to temporarily be renamed Moshe Cohen, which made me a 'kosher witness'", Mehta recalled.[12] Du Pré retired from music in 1973, after being diagnosed with multiple sclerosis (MS). The marriage lasted until du Pré's death in 1987.

In the early 1980s, Barenboim and Russian pianist Elena Bashkirova started a relationship. Together they had two sons, both born in Paris before du Pré's death: David Arthur, born 1983, and Michael, born 1985. Barenboim worked to keep his relationship with Bashkirova hidden from du Pré, and believed he had succeeded. He and Bashkirova married in 1988. Both sons are part of the music world: David is a manager-writer for the German hip-hop band Level 8, and Michael Barenboim [de; he] is a classical violinist.[13]

Citizenship

[edit]

Barenboim holds citizenship in Argentina, Israel,[14] Palestine,[5] and Spain,[15] and was the first person to hold Palestinian and Israeli citizenship simultaneously. He lives in Berlin.[16][8]

Career

[edit]
U.S. concert performance at age 15 (January 1958)

After performing in Buenos Aires, Barenboim made his international debut as a pianist at the age of 10 in 1952 in Vienna and Rome. In 1955, he performed in Paris, in 1956, in London, and in 1957 in New York under the baton of Leopold Stokowski. Regular concert tours of Europe, the United States, South America, Australia and the Far East followed thereafter.

In June 1967, Barenboim and his then-fiancée Jacqueline du Pré gave concerts in Jerusalem, Tel Aviv, Haifa and Beersheba before and during the Six-Day War.[17] His friendship with musicians Itzhak Perlman, Zubin Mehta, and Pinchas Zukerman, and marriage to du Pré led to the 1969 film by Christopher Nupen of their performance of the Schubert "Trout" Quintet.[18]

Following his debut as a conductor with the English Chamber Orchestra in Abbey Road Studios, London, in 1966, Barenboim was invited to conduct by many European and American symphony orchestras. Between 1975 and 1989, he was music director of the Orchestre de Paris, where he conducted much contemporary music.

Barenboim made his opera conducting debut in 1973 with a performance of Mozart's Don Giovanni at the Edinburgh Festival. He made his debut at Bayreuth in 1981, conducting there regularly until 1999. In 1988, he was appointed artistic and musical director of the Opéra Bastille in Paris, scheduled to open in 1990, but was fired in January 1989 by the opera's chairman Pierre Bergé.[19] Barenboim was named music director designate of the Chicago Symphony Orchestra in 1989 and succeeded Sir Georg Solti as its music director in 1991, a post he held until 17 June 2006.[20] He expressed frustration with the need for fund-raising duties in the United States as part of being a music director of an American orchestra.[13]

(l-r) President of the East Berlin Jewish Community Peter Kirchner [de], President of the Federal Republic of Germany Richard von Weizsäcker, and Barenboim visit Jewish cemetery in Berlin-Weissensee (1990)

In 1992, Barenboim became music director of the Berlin State Opera and the Staatskapelle Berlin, succeeding in maintaining the independent status of the State Opera. He has tried to maintain the orchestra's traditional sound and style.[21] In autumn 2000 he was made conductor for life of the Staatskapelle Berlin.[22]

On 15 May 2006, Barenboim was named principal guest conductor of La Scala opera house, in Milan, after Riccardo Muti's resignation.[23] He subsequently became music director of La Scala in 2011.[24]

In 2006, Barenboim presented the BBC Reith Lectures, presenting a series of five lectures titled In the Beginning was Sound. The lectures on music were recorded in a range of cities, including London, Chicago, Berlin, and two in Jerusalem.[25][26][27][28] In the autumn of 2006, Barenboim gave the Charles Eliot Norton Lectures at Harvard University, entitling his talk Sound and Thought.[29]

In November 2006, Lorin Maazel submitted Barenboim's name as his nominee to succeed him as the New York Philharmonic's music director.[30] Barenboim said he was flattered but "nothing could be further from my thoughts at the moment than the possibility of returning to the United States for a permanent position",[31] repeating in April 2007 his lack of interest in the New York Philharmonic's music directorship or its newly created principal conductor position.[32] Barenboim made his conducting debut on 28 November 2008 at the Metropolitan Opera in New York for the House's 450th performance of Wagner's Tristan und Isolde.

In 2009, Barenboim conducted the Vienna New Year's Concert of the Vienna Philharmonic for the first time.[33] In his New Year message, he expressed the hope that 2009 would be a year for peace and for human justice in the Middle East.[34] He returned to conduct the 2014 Vienna New Year's Concert, and also conducted the 2022 Concert.[35][36]

In 2014, construction began on the Barenboim–Said Academy in Berlin. A joint project Barenboim developed with Palestinian-American scholar Edward Said, the academy was planned as a site for young music students from the Arab world and Israel to study music and humanities in Berlin.[37] It opened its doors on 8 December 2016.[38] In 2017, the Pierre Boulez Saal opened as the public face of the academy. The elliptical shaped concert hall was designed by Frank Gehry. Acoustician Yasuhisa Toyota created the hall's sound profile.[39]

In 2015, Barenboim unveiled a new concert grand piano. Designed by Chris Maene with support from Steinway & Sons, the piano features straight parallel strings instead of the conventional diagonally-crossed strings of a modern Steinway.[40]

In 2018, Barenboim was the subject of the French animated series Max & Maestro.[41]

In 2020, Barenboim curated the digital festival of new music "Distance / Intimacy" with flautist Emmanuel Pahud in the Pierre Boulez Saal. At their invitation ten contemporary composers, among them Jörg Widmann, Olga Neuwirth and Matthias Pintscher, contributed new works engaging artistically with the COVID-19 pandemic. All participating composers and musicians waived their fees, inviting listeners to financially support arts and culture.[42]

In October 2022, Barenboim announced on social media that he would be reducing his conducting and other engagements for health reasons.[43][44] On 6 January 2023, the Staatsoper Unter den Linden announced Barenboim's resignation as its Generalmusikdirektor, effective 31 January 2023, because of health reasons.[45]

Musical style

[edit]

Barenboim has rejected musical fashions based on current musicological research, such as the authentic performance movement. His recording of Beethoven's symphonies shows his preference for some conventional practices, rather than fully adhering to Bärenreiter's new edition (edited by Jonathan Del Mar).[46] Barenboim has opposed the practice of choosing the tempo of a piece based on historical evidence, such as the composer's metronome marks. He argues instead for finding the tempo from within the music, especially from its harmony and harmonic rhythm. He has reflected this in the general tempi chosen in his recording of Beethoven's symphonies, usually adhering to early-twentieth-century practices. He has not been influenced by the faster tempos chosen by other conductors such as David Zinman and authentic movement advocate Roger Norrington.

In his recording of The Well-Tempered Clavier, Barenboim makes frequent use of the right-foot sustaining pedal, a device absent from the keyboard instruments of Bach's time (although the harpsichord was highly resonant), producing a sonority very different from the "dry" and often staccato sound favoured by Glenn Gould. Moreover, in the fugues, he often plays one voice considerably louder than the others, a practice impossible on a harpsichord. According to some scholarship, this practice began in Beethoven's time (see, for example, Matthew Dirst's book Engaging Bach). When justifying his interpretation of Bach, Barenboim claims that he is interested in the long tradition of playing Bach that has existed for two and a half centuries, rather than in the exact style of performance in Bach's time:

The study of old instruments and historic performance practice has taught us a great deal, but the main point, the impact of harmony, has been ignored. This is proved by the fact that tempo is described as an independent phenomenon. It is claimed that one of Bach's gavottes must be played fast and another one slowly. But tempo is not independent! ... I think that concerning oneself purely with historic performance practice and the attempt to reproduce the sound of older styles of music-making is limiting and no indication of progress. Mendelssohn and Schumann tried to introduce Bach into their own period, as did Liszt with his transcriptions and Busoni with his arrangements. In America Leopold Stokowski also tried to do it with his arrangements for orchestra. This was always the result of "progressive" efforts to bring Bach closer to the particular period. I have no philosophical problem with someone playing Bach and making it sound like Boulez. My problem is more with someone who tries to imitate the sound of that time ...[47]

Recordings

[edit]

In the beginning of his career, Barenboim concentrated on music of the classical era, as well as some romantic composers. He made his first recording in 1954. Notable classical recordings include the complete cycles of Mozart, Beethoven and Schubert's piano sonatas, Beethoven's piano concertos (with the New Philharmonia Orchestra and Otto Klemperer), and Mozart's piano concertos (conducting the English Chamber Orchestra from the piano). Romantic recordings include Brahms's piano concertos (with John Barbirolli), Mendelssohn's Songs Without Words, and Chopin's Nocturnes.

Barenboim also recorded many chamber works, especially in collaboration with his first wife, Jacqueline du Pré, the violinist Itzhak Perlman, and the violinist and violist Pinchas Zukerman. Noted performances include: the complete Mozart violin sonatas (with Perlman), Brahms's violin sonatas (live concert with Perlman, previously in the studio with Zukerman), Beethoven's and Brahms's cello sonatas (with du Pré), Beethoven's and Tchaikovsky's piano trios (with du Pré and Zukerman), and Schubert's Trout Quintet (with du Pré, Perlman, Zukerman, and Zubin Mehta).

Notable recordings as a conductor include the complete symphonies of Beethoven, Brahms, Bruckner, Schubert, and Schumann; the Da Ponte operas of Mozart; numerous operas by Wagner, including the complete Ring Cycle; and various concertos. Barenboim has written about his changing attitude to the music of Mahler;[48] he has recorded Mahler's Fifth, Seventh, and Ninth symphonies and Das Lied von der Erde. He has also performed and recorded the Concierto de Aranjuez by Rodrigo and Villa-Lobos guitar concerto with John Williams as the guitar soloist.

By the late 1990s, Barenboim had widened his concert repertoire, performing works by baroque as well as twentieth-century classical composers. Examples include: J. S. Bach's The Well-Tempered Clavier (which he has played since childhood) and Goldberg Variations, Albeniz's Iberia, and Debussy's Préludes. In addition, he turned to other musical genres, such as jazz,[49] and the folk music of his birthplace, Argentina. He conducted the 2006 New Year's Eve concert in Buenos Aires, in which tangos were played.[50]

Barenboim has continued to perform and record chamber music, sometimes with members of the orchestras he has led. Some examples include the Quartet for the End of Time by Messiaen with members of the Orchestre de Paris during his tenure there, Richard Strauss with members of the Chicago Symphony Orchestra, and Mozart's Clarinet Trio with members of the Berlin Staatskapelle.

To mark Barenboim's 75th birthday, Deutsche Grammophon released a box set of 39 CDs of his solo recordings,[51] and Sony Classical issued a box set of Barenboim's orchestral recordings on 43 CDs and three DVDs in 2017, Daniel Barenboim – A Retrospective.[52]

Conducting Wagner in Israel

[edit]
Further information: Wagner controversies § Wagner's music in Israel

The Israel Philharmonic Orchestra (then Palestine Orchestra) had performed Richard Wagner's music in Mandatory Palestine even during the early days of the Nazi era.[53] But after the Kristallnacht,[54] Jewish musicians avoided playing Wagner's music in Israel because of the use Nazi Germany made of the composer and because of Wagner's own anti-Semitic writings,[55] initiating an unofficial boycott.

This informal ban continued when Israel was founded in 1948, but from time to time unsuccessful efforts were made to end it.[56] In 1974[57] and again in 1981 Zubin Mehta planned to (but did not) lead the Israel Philharmonic Orchestra in works of Wagner. During the latter occasion, fist fights broke out in the audience.[58]

Barenboim, who had been selected to head the production of Wagner's operas at the 1988 Bayreuth Festival,[59] had since at least 1989 publicly opposed the Israeli ban. In that year, he had the Israel Philharmonic "rehearse" two of Wagner's works.[60] In a conversation with Edward Said, Barenboim said that "Wagner, the person, is absolutely appalling, despicable, and, in a way, very difficult to put together with the music he wrote, which so often has exactly the opposite kind of feelings ... noble, generous, etc." He called Wagner's anti-Semitism obviously "monstrous", and feels it must be faced, but argues that "Wagner did not cause the Holocaust."

In 1990, Barenboim conducted the Berlin Philharmonic Orchestra in its first appearance in Israel, but he excluded Wagner's works. "Although Wagner died in 1883, he is not played [in Israel] because his music is too inextricably linked with Nazism, and so is too painful for those who suffered", Barenboim told a reporter. "Why play what hurts people?"[61] Not long afterwards, it was announced that Barenboim would lead the Israel Philharmonic in two Wagner overtures,[62] which took place on 27 December "before a carefully screened audience".[63]

In 2000, the Israel Supreme Court upheld the right of the Rishon LeZion Orchestra to perform Wagner's Siegfried Idyll.[64] At the Israel Festival in Jerusalem in July 2001, Barenboim had scheduled to perform the first act of Die Walküre with three singers, including tenor Plácido Domingo. However, strong protests by some Holocaust survivors, as well as the Israeli government, led the festival authorities to ask for an alternative program. (The Israel Festival's Public Advisory board, which included some Holocaust survivors, had originally approved the program.)[65] The controversy appeared to end in May, after the Israel Festival announced that a selection by Wagner would not be included at the 7 July concert.[66] Barenboim agreed to substitute music by Schumann and Stravinsky.

However, at the end of the concert with the Berlin Staatskapelle, Barenboim announced that he would like to play Wagner as a second encore and invited those who objected to leave, saying, "Despite what the Israel Festival believes, there are people sitting in the audience for whom Wagner does not spark Nazi associations. I respect those for whom these associations are oppressive. It will be democratic to play a Wagner encore for those who wish to hear it. I am turning to you now and asking whether I can play Wagner." A half-hour debate ensued, with some audience members calling Barenboim a "fascist". In the end, a small number of attendees walked out and the overwhelming majority remained, applauding loudly after the performance of the Tristan und Isolde Prelude.[67][68][69]

In September 2001, a public relations associate for the Chicago Symphony Orchestra, where Barenboim was the music director, revealed that season ticket-holders were about evenly divided about the wisdom of Barenboim's decision to play Wagner in Jerusalem.[70]

Barenboim regarded the performance of Wagner at the 7 July concert as a political statement. He said he had decided to defy the ban on Wagner after having a news conference he held the previous week interrupted by the ringing of a mobile phone to the tune of Wagner's "Ride of the Valkyries".[71] "I thought if it can be heard on the ring of a telephone, why can't it be played in a concert hall?" he said.[72][73]

A Knesset committee subsequently called for Barenboim to be declared a persona non-grata in Israel until he apologized for conducting Wagner's music.[74] The move was condemned by the musical director of the Israel Philharmonic Orchestra Zubin Mehta and members of Knesset.[75] Prior to receiving the $100,000 Wolf Prize, awarded annually in Israel, Barenboim said, "If people were really hurt, of course I regret this, because I don't want to harm anyone".[76]

In 2005, Barenboim gave the inaugural Edward Said Memorial Lecture at Columbia University, entitled "Wagner, Israel and Palestine".[77] In the speech, according to the Financial Times, Barenboim "called on Israel to accept the Palestinian 'narrative even though they may not agree with it'", and said, "The state of Israel was supposed to provide the instrument for the end of anti-Semitism ... This inability to accept a new narrative has led to a new anti-Semitism that is very different from the European anti-Semitism of the 19th century."[78] According to The New York Times, Barenboim said it was the "fear, this conviction of being yet again the victim, that does not allow the Israeli public to accept Wagner's anti-Semitism ... It is the same cell in the collective brain that does not allow them to make progress in their understanding of the needs of the Palestinian people", and also said that suicide bombings in Israel "had to be seen in the context of the historical development at which we have arrived".[79] The speech caused controversy; the Jewish Telegraphic Agency wrote that Barenboim had "compared Herzl's ideas to Wagner's; criticized Palestinian terrorist attacks but also justified them; and said Israeli actions contributed to the rise of international anti-Semitism".[80]

In March 2007, Barenboim said: "The whole subject of Wagner in Israel has been politicized and is a symptom of a malaise that goes very deep in Israeli society ..."[81]

In 2010, before conducting Wagner's Die Walküre for the gala premiere of La Scala's season in Milan, he said that the perception of Wagner was unjustly influenced by the fact that he was Hitler's favourite composer: "I think a bit of the problem with Wagner isn't what we all know in Israel, anti-Semitism, etc ... It is how the Nazis and Hitler saw Wagner as his own prophet ... This perception of Hitler colors for many people the perception of Wagner ... We need one day to liberate Wagner of all this weight".[82]

In a 2012 interview with Der Spiegel,[83] Barenboim said, "It saddens me that official Israel so doggedly refuses to allow Wagner to be performed – as was the case, once again, at the University of Tel Aviv two weeks ago – because I see it as a symptom of a disease. The words I'm about to use are harsh, but I choose them deliberately: There is a politicization of the remembrance of the Holocaust in Israel, and that's terrible." He also argued that after the trial of Adolf Eichmann and the Six-Day War, "a misunderstanding also arose ... namely that the Holocaust, from which the Jews' ultimate claim to Israel was derived, and the Palestinian problem had something to do with each other."[83]

He also said, that:

...since the Six-Day War, Israeli politicians have repeatedly established a connection between European anti-Semitism and the fact that the Palestinians don't accept the founding of the State of Israel. But that's absurd! The Palestinians weren't primarily anti-Semitic. They just didn't accept their expulsion. But European anti-Semitism goes much further back than to the partition of Palestine and the establishment of Israel in 1948.[83]

In response to a question from the interviewer, he said he conducted Wagner with the West–Eastern Divan Orchestra because, "The musicians wanted it. I said: Sure, but we have to talk about it. It's a tricky decision." When the interviewer asked if the initiative came from Arab musicians in the orchestra, he replied, "On the contrary. It was the Israelis. The Israeli brass players."[83]

Over the years, observers of the Wagner battle have weighed in on both sides of the issue.[84]

Political views

[edit]
Daniel Barenboim leads a rehearsal of the West–Eastern Divan in Seville, Spain, 2005
Rehearsal of the West–Eastern Divan under the lead of Daniel Barenboim, 2005

Barenboim is an outspoken critic of Israel's conservative governments and the Israeli occupation of the Palestinian territories. In an interview with the British music critic Norman Lebrecht in 2003, Barenboim accused Israel of behaving in a manner that was "morally abhorrent and strategically wrong" and "putting in danger the very existence of the state of Israel".[85] In 1967, at the start of the Six-Day War, Barenboim and du Pré had performed for the Israeli troops on the front lines, as well as during the Yom Kippur War in 1973. During the Gulf War, he and an orchestra performed in Israel in gas masks.[86]

Barenboim has argued publicly for a two-state solution for Israelis and Palestinians. In a November 2014 opinion piece in The Guardian, he wrote that the "ongoing security of the state of Israel ... is only possible in the long term if the future of the Palestinian people, too, is secured in its own sovereign state. If this does not happen, the wars and history of that region will be constantly repeated and the unbearable stalemate will continue."[87]

West–Eastern Divan

[edit]

In 1999, Barenboim and Palestinian-American intellectual Edward Said jointly founded the West–Eastern Divan Orchestra.[88][89] This initiative brings together, every summer, a group of young classical musicians from Israel, Palestine and Arab countries to study, perform and to promote mutual reflection and understanding.[90][91][92] Barenboim and Said jointly received the 2002 Prince of Asturias Awards for their work in "improving understanding between nations". Together they wrote the book Parallels and Paradoxes, based on a series of public discussions held at New York's Carnegie Hall.[93]

In September 2005, presenting the book written with Said, Barenboim refused to be interviewed by uniformed Israel Defense Forces Radio reporter Dafna Arad, considering the wearing of the uniform insensitive for the occasion. In response, Israeli Education Minister Limor Livnat of the Likud party called him "a real Jew hater" and "a real anti-Semite".[94]

After being invited for the fourth time to the Doha Festival for Music and Dialogue in Qatar with the West–Eastern Divan Orchestra in 2012, Barenboim's invitation was cancelled by the authorities because of "sensitivity to the developments in the Arab world". There had been a campaign against him in the Arab media,[95] accusing him of "being a Zionist".[96]

In July 2012, Barenboim and the orchestra played a pivotal role at the BBC Proms, performing a cycle of Beethoven's nine symphonies, with the Ninth timed to coincide with the opening of the London 2012 Olympic Games.[97] In addition, he was an Olympic flag carrier at the opening ceremony of the Games.[98]

Wolf Prize

[edit]

In May 2004, Barenboim was awarded the Wolf Prize at a ceremony at the Israeli Knesset. Education Minister Livnat held up the nomination until Barenboim apologized for his performance of Wagner in Israel.[99] Barenboim called Livnat's demand "politically motivated", adding "I don't see what I need to apologize about. If I ever hurt a person privately or in public, I am sorry, because I have no intention of hurting people ...", which was good enough for Livnat.[100] The ceremony was boycotted by Knesset Speaker Reuven Rivlin, also a member of the Likud party.[101] In his acceptance speech, Barenboim expressed his opinion on the political situation, referring to the Israeli Declaration of Independence in 1948:

I am asking today with deep sorrow: Can we, despite all our achievements, ignore the intolerable gap between what the Declaration of Independence promised and what was fulfilled, the gap between the idea and the realities of Israel? Does the condition of occupation and domination over another people fit the Declaration of Independence? Is there any sense in the independence of one at the expense of the fundamental rights of the other? Can the Jewish people whose history is a record of continued suffering and relentless persecution, allow themselves to be indifferent to the rights and suffering of a neighboring people? Can the State of Israel allow itself an unrealistic dream of an ideological end to the conflict instead of pursuing a pragmatic, humanitarian one based on social justice?[102]

Israel's President Moshe Katsav, originally also of Likud, and Education Minister Livnat criticized Barenboim for his speech. Livnat accused him of attacking the State of Israel, to which Barenboim replied that he had not done so, but that he instead had cited the text of the Israeli Declaration of Independence.[103]

Performing in the West Bank and Gaza Strip

[edit]

Barenboim has performed several times in the West Bank: at Bir Zeit University in 1999 and several times in Ramallah.[104]

In December 2007, Barenboim and 20 musicians from Britain, the United States, France and Germany, and one Palestinian were scheduled to play a baroque music concert in Gaza.[105] Although they had received authorization from Israeli authorities, the Palestinian was stopped at the Israel–Gaza border and told that he needed individual permission to enter.[105] The group waited seven hours at the border, and then canceled the concert in solidarity.[105] Barenboim commented: "A baroque music concert in a Roman Catholic church in Gaza – as we all know – has nothing to do with security and would bring so much joy to people who live there in great difficulty."[105]

In January 2008, after performing in Ramallah, Barenboim accepted honorary Palestinian citizenship, becoming the first Jewish Israeli citizen to be offered the status. Barenboim said he hoped it would serve as a public gesture of peace.[5] Some Israelis criticized Barenboim's decision to accept Palestinian citizenship. The parliamentary faction chairman of the Shas party demanded that Barenboim be stripped of his Israeli citizenship, but the Interior Minister told the media that "the matter is not even up for discussion".[106]

In January 2009, Barenboim cancelled two concerts of the West–Eastern Divan Orchestra in Qatar and Cairo "due to the escalating violence in Gaza and the resulting concerns for the musicians' safety".[107]

In May 2011, Barenboim conducted the "Orchestra for Gaza" composed of volunteers from the Berlin Philharmonic, the Berlin Staatskapelle, the Orchestra of La Scala in Milan, the Vienna Philharmonic and the Orchestre de Paris, at al-Mathaf Cultural House. The concert, held in Gaza City, was co-ordinated in secret with the United Nations. The orchestra flew from Berlin to Vienna and from there to El Arish on a plane chartered by Barenboim, entering the Gaza Strip at the Egyptian Rafah Border Crossing. The musicians were escorted by a convoy of United Nations vehicles.[108] The concert, the first performance by an international classical ensemble in the Strip, was attended by an invited audience of several hundred schoolchildren and NGO workers, who greeted Barenboim with applause.[109] The orchestra played Mozart's Eine kleine Nachtmusik and Symphony No. 40, also familiar to an Arab audience as the basis of one of the songs of the famous Arab singer Fairuz. In his speech, Barenboim said: "Everyone has to understand that the Palestinian cause is a just cause therefore it can be only given justice if it is achieved without violence. Violence can only weaken the righteousness of the Palestinian cause".[110]

Recognition

[edit]

The minor planet, 7163 Barenboim, discovered in 1984, is named after him.[111]

Awards and titles

[edit]

Honorary degrees

[edit]

Grammy Awards

[edit]

Barenboim received 7 Grammy Awards.[141]

Grammy Award for Best Opera Recording:

Grammy Award for Best Chamber Music Performance:

Grammy Award for Best Orchestral Performance:

Grammy Award for Best Instrumental Soloist(s) Performance (with orchestra):

Straight-strung piano

[edit]

In 2017, Barenboim unveiled a piano that has straight-strung bass strings, as opposed to the crossed-stringed modern instrument. He was inspired by Liszt's Érard piano, which has straight strings. Barenboim appreciates the clarity of tone and a greater control over the tonal quality (or color) his new instrument gives. This piano was developed with the help of Chris Maene at Maene Piano, who also built it.[142] In 2019, Barenboim used this instrument to perform with the Berlin Philharmonic Orchestra.

References

[edit]
  1. ^ "Daniel Barenboim: In the Beginning Was Sound". The Reith Lectures. 7 April 2006. BBC Radio 4. Retrieved 18 January 2014.
  2. ^ "60 Years: Daniel Barenboim on Israel". Daniel Barenboim. 10 May 2008. Retrieved 4 November 2024.
  3. ^ Hernández, Javier C; Marshall, Alex (6 January 2023). "Daniel Barenboim, Titan of Conducting, to Step Down in Berlin". The New York Times. Retrieved 1 February 2023.
  4. ^ "Barenboim to leave La Scala opera". BBC News. 29 October 2013.
  5. ^ a b c Hirsch, Yael (13 January 2008). "Israeli pianist Daniel Barenboim takes Palestinian citizenship". Haaretz. Retrieved 1 August 2014.
  6. ^ "Conductor Daniel Barenboim receives honorary knighthood". BBC News. 24 June 2011. Retrieved 8 February 2015.
  7. ^ Ben, Itzhak (1980). Who's who in Israel and in the work for Israel abroad. Bronfman & Cohen Publications. Retrieved 1 August 2014.
  8. ^ a b "Daniel Barenboim: Baton charge". The Independent. 16 December 2002. Retrieved 22 October 2018.
  9. ^ Barenboim, Daniel (November 2004). "Why Wilhelm Furtwängler Still Moves Us Today". danielbarenboim.com. Archived from the original on 8 July 2011. Retrieved 18 September 2019. Translation from "Er nahm sich diese ungeheure Freiheit", in Der Tagesspiegel, 30 November 2004
  10. ^ "Festrede von Daniel Barenboim beim Festakt zur Eröffnung der Salzburger Festspiele 2010" (in German). Land Salzburg, Präsidialabteilung. 26 July 2010. pp. 5–6. (translated) it was too early for a Jewish boy – nine years after the war – to go to Germany
  11. ^ Rosenblatt, Judith Turk, ed. (2009). "Barenboim, Daniel". Who's Who in World Jewry. Baltimore: Who's Who in World Jewry. ISBN 978-0-9618272-0-5.
  12. ^ Mehta, Zubin (2009). The Score of My Life. New York: Amadeus Press. pp. 25–26. ISBN 978-1-57467-174-2.
  13. ^ a b Duchen, Jessica (18 July 2012). "Daniel and Michael Barenboim: The family that plays together ..." The Independent. London. Retrieved 30 January 2018.
  14. ^ AFP (11 August 2011). "Conductor Barenboim to be Nobel nominee". Argentina: Dawn.com. Retrieved 15 October 2011.
  15. ^ Barenboim, Daniel (14 May 2008). "Music gives me hope". The Guardian. London. Retrieved 22 November 2017.
  16. ^ "Israeli conductor Daniel Barenboim to perform with orchestra in Gaza". Haaretz. 2 May 2011. Retrieved 4 May 2011.
  17. ^ Dudman, Helga (9 June 1967). "Music with much love". The Jerusalem Post. Jerusalem. p. 5.
  18. ^ Lloyd Webber, Julian (21 July 2005). "Why make war when you can make music?". Telegraph.co.uk. London. Archived from the original on 10 January 2022. Retrieved 23 April 2007.
  19. ^ Rhein, John von (14 May 1989). "Barenboim Backlash. The CSO's Henry Fogel Defends Solti's Successor". Chicago Tribune. Archived from the original on 20 April 2021. Retrieved 5 May 2011.
  20. ^ "Barenboim to Leave Chicago Symphony in 06". Backstage. Associated Press. 26 February 2004. Retrieved 5 January 2017.
  21. ^ Connolly, Kate (15 November 2002). "Barenboim in battle to save Berlin opera house". Telegraph.co.uk. London. Archived from the original on 10 January 2022. Retrieved 23 April 2007.
  22. ^ Henderson, Michael (20 June 2006). "Goodbye Chicago, hello world". Telegraph.co.uk. London. Archived from the original on 14 September 2006. Retrieved 23 April 2007.
  23. ^ McMahon, Barbara (16 May 2006). "Barenboim to be La Scala's guest". The Guardian. London. Retrieved 23 April 2007.
  24. ^ Maddocks, Fiona (11 December 2011). "A tale of two Italian opera cities". The Observer. Retrieved 8 February 2015.
  25. ^ Henderson, Michael (1 April 2006). "Daniel in the circus lions' den". Telegraph.co.uk. London. Archived from the original on 19 November 2007. Retrieved 23 April 2007.
  26. ^ Connolly, Kate (9 March 2006). "Maverick maestro plays a different tune". Telegraph.co.uk. London. Archived from the original on 19 November 2007. Retrieved 23 April 2007.
  27. ^ Barenboim, Daniel (8 April 2006). "In the beginning, there was sound. Then came Muzak". Telegraph.co.uk. London. Archived from the original on 19 November 2007. Retrieved 23 April 2007.
  28. ^ Beaumont, Peter (2 April 2006). "Maestro of the Middle East". The Observer. London. Retrieved 23 April 2007.
  29. ^ Richard Dyer (January–February 2007). "Ideas, Appassionato". Harvard Magazine. pp. 14–15. Archived from the original on 13 May 2007. Retrieved 23 April 2007.
  30. ^ Wakin, Daniel J. (29 November 2006). "Unprompted, Lorin Maazel Nominates His Successor". The New York Times. Retrieved 23 April 2007.
  31. ^ Landler, Mark (30 November 2006). "Proposed Philharmonic Candidate Is Flattered, if Coy". The New York Times. Retrieved 23 April 2007.
  32. ^ Wakin, Daniel J. (25 April 2007). "Philharmonic to Add a Position at the Top". The New York Times. Retrieved 1 September 2011.
  33. ^ Daniel Barenboim. "On Conducting the New Year's Day Concert with the Vienna Philharmonic" (PDF). Wiener Philharmoniker. Archived from the original (PDF) on 19 July 2011. Retrieved 4 May 2011.
  34. ^ "Neujahrskonzert 2009 – Daniel Barenboims sanfte Revolution". Kleine Zeitung (in German). 1 January 2009. Archived from the original on 17 December 2013. Retrieved 29 May 2012.
  35. ^ "Neujahrskonzert 2021 ohne Publikum, 2022 mit Barenboim". Der Standard. 1 January 2021. Retrieved 15 January 2021.
  36. ^ "2022 Vienna Philharmonic New Year's Concert held in Austria". XinhuaNet. Xinhua. 1 January 2022. Retrieved 1 January 2022. 'The Vienna Philharmonic Orchestra under the baton of conductor Daniel Barenboim perform during the 2022 Vienna Philharmonic New Year's Concert in Vienna, Austria, Jan. 1, 2022. (Dieter Nagl/The Vienna Philharmonic Orchestra/Handout via Xinhua)' [photo caption]
  37. ^ Schmid, Rebecca (6 May 2014). "Plans for Barenboim–Said Academy in Berlin Unveiled". The New York Times. Retrieved 6 October 2014.
  38. ^ Smale, Alison (9 December 2016). "The Barenboim-Said Academy Opens in Berlin". The New York Times. Retrieved 22 November 2017.
  39. ^ Barone, Joshua (3 March 2017). "Frank Gehry and Daniel Barenboim on Their New Concert Hall in Berlin (Published 2017)". The New York Times. ISSN 0362-4331. Retrieved 3 March 2021.
  40. ^ Brown, Mark (26 May 2015). "Daniel Barenboim reveals radical new piano design: 'I've fallen in love with it'". The Guardian.
  41. ^ "New animated series: Max & Maestro". 11 April 2018.
  42. ^ Kettle, Martin (9 July 2020). "Daniel Barenboim: 'If I could never conduct a live Ring cycle again, I don't know what I would do'". The Guardian. ISSN 0261-3077. Retrieved 3 March 2021.
  43. ^ Siena Linton; Sophia Alexandra Hall (4 October 2022). "The 79-year-old conductor and pianist took to social media to share his important news this evening". Classic FM. Retrieved 5 October 2022.
  44. ^ Daniel Barenboim (4 October 2022). "It is with a combination of pride and sadness that I announce today that I am taking a step back from some of my performing activities, especially conducting engagements, for the coming months". Twitter. Retrieved 5 October 2022.
  45. ^ Alex Marshall (6 January 2023). "Daniel Barenboim, Titan of Conducting, Steps Down in Berlin". The New York Times. Retrieved 6 January 2023.
  46. ^ Barenboim's liner notes for his recording of Beethoven's symphonies, Teldec, ASIN B00004S1EV, 2000.
  47. ^ "Ich bin mit Bach aufgewachsen" (I was reared on Bach), Barenboim's liner notes for his recordings of Bach's The Well-Tempered Clavier. Translated by Gery Bramall.
  48. ^ Barenboim, Daniel (31 August 2001). "Love, the hard way". The Guardian. Retrieved 1 September 2011.
  49. ^ Moss, Stephen (22 October 1999). "Daniel in the lion's den". The Guardian. London. Retrieved 18 August 2019.
  50. ^ "Barenboim anticipó su gran concierto con un ensayo en pleno Obelisco". Clarin.com. 31 December 2006. Retrieved 1 August 2014.
  51. ^ "Two Daniel Barenboim box sets to be released this November". Pianist. 20 September 2017. Retrieved 8 January 2023.
  52. ^ "Daniel Barenboim – A Retrospective, The Complete Sony Recordings" Archived 15 November 2017 at the Wayback Machine, Presto Classical
  53. ^ "Bronislaw Szulc at Levant Fair Concert Hall [Tel Aviv]", Palestine Post, 20 July 1938, p. 6
  54. ^ Gans, Chaim (2003). "Moralische Aspekte des Israelischen Wagner-Boykotts". In Zuckermann, Moshe (ed.). Medien – Politik – Geschichte. Tel Aviver Jahrbuch für deutsche Geschichte (in German). Verlag Wallstein Verlag. p. 385. ISBN 3-89244-657-1.
  55. ^ Paul R. Mendes-Flohr; Jehuda Reinharz, eds. (1995). The Jew in the Modern World. Oxford University Press. p. 230, fn1 to Richard Wagner, "Jewry in Music", translation and excerpt of "Das Judenthum in der Musik", pp. 327–331. ISBN 978-0-19-507453-6.
  56. ^ "Haifa Symphony Orchestra Cancels Wagnerian Concert on 'Crystal Night'". Jewish Telegraphic Agency. 12 November 1963. Retrieved 1 August 2014.
  57. ^ "Philharmonic Drops Wagner from Program to Avoid Disturbances | Jewish Telegraphic Agency". Jewish Telegraphic Agency. Archive.jta.org. 25 June 1974. Retrieved 1 August 2014.
  58. ^ Orgel, Hugh (20 March 2015). "Controversy Flares over Playing of Wagner's Music by the Ipo". Jewish Telegraphic Agency. Retrieved 8 January 2023.
  59. ^ "News Brief", Jewish Telegraphic Agency, 7 August 1985
  60. ^ Orgel, Hugh (20 March 2015). "Israeli Philharmonic Rehearses Two Pieces of Richard Wagner". Jewish Telegraphic Agency. Retrieved 8 January 2023.
  61. ^ Kaye, Helen (11 November 1989). "Berlin orchestra won't play Wagner". The Jerusalem Post. Jerusalem. p. 7.
  62. ^ Orgel, Hugh (20 March 2015). "Chorus of Protest Erupts in Israel over Ipo Decision to Perform Wagner". Jewish Telegraphic Agency. Retrieved 8 January 2023.
  63. ^ Orgel, Hugh (20 March 2015). "Ipo Goes Ahead and Plays Wagner, in Guise of a Rehearsal Concert". Jewish Telegraphic Agency. Retrieved 8 January 2023.
  64. ^ News Brief, Jewish Telegraphic Agency, 30 October 2000.
  65. ^ Gozani, Ohad (14 May 2001). "Israeli battle over Wagner". Telegraph.co.uk. London. Archived from the original on 10 January 2022. Retrieved 18 August 2019.
  66. ^ News Brief, Jewish Telegraphic Agency, 31 May 2001; Larry Derfner, "Aryan virtues vs. musical greatness", Chicago Jewish Star, 25 May 2001, pp.7–8.
  67. ^ Shohat, Zipi (18 July 2001). "Wagner gets in through the back door. Some are angry about Daniel Barenboim's decision to conduct Wagner, but call it a historic occasion nonetheless". Haaretz. Tel Aviv. Retrieved 20 August 2019.
  68. ^ Gilmore, Inigo (9 July 2001). "Barenboim shatters Israel taboo on Wagner". The Daily Telegraph. London. Archived from the original on 10 January 2022. Retrieved 20 August 2019.
  69. ^ Hodgkinson, Will (13 August 2004). "Orchestral manoeuvres". The Guardian. London. Retrieved 20 August 2019.
  70. ^ Gila Wertheimer, "Subscribers turning a deaf ear to CSO", Chicago Jewish Star, 14 September 2001, p. 2; Letters, Chicago Jewish Star, 28 September 2001, p. 4.
  71. ^ Barenboim, Daniel (6 September 2002). "Those who want to leave, do so". The Guardian. London. Retrieved 18 August 2019.
  72. ^ Greenberg, Joel (9 July 2001). "Playing a Bit of Wagner Sets Off an Uproar in Israel". The New York Times. p. A4.
  73. ^ "Barenboim plays Wagner". Chicago Sun-Times. Chicago. 8 July 2001. p. 2A.
  74. ^ News Brief, Jewish Telegraphic Agency, 25 July 2001.
  75. ^ Shohat, Zipi. "Mehta Slams Knesset Boycott of Barenboim". Haaretz. Retrieved 8 January 2023.
  76. ^ Keyser, Jason (17 December 2003). "Apology (sort of) delivered, now Barenboim will get prize". Chicago Sun-Times. Chicago. p. 80.
  77. ^ "Daniel Barenboim Discusses Music As A Bridge For Peace in the Middle East". Calendar.columbia.edu. Archived from the original on 19 July 2011. Retrieved 1 August 2014.
  78. ^ Sullivan, Paul (27 January 2005). "Daniel Barenboim at Columbia University". Financial Times.
  79. ^ Wakin, Daniel J. (26 January 2005). "Barenboim Criticizes Israeli Views". The New York Times. Retrieved 18 August 2019.
  80. ^ Pomerance, Rachel (20 March 2015). "Barenboim Comments Spark Anger As Controversy at Columbia Builds". Jewish Telegraphic Agency. Retrieved 8 January 2023. Lebovitz, Liel (28 January 2005). "Maestro Maelstrom at Columbia". The Jewish Week.
  81. ^ Oestreich, James R. (2 March 2007). "Musing on the Barenboim X-Factor". The New York Times. Retrieved 28 March 2010.
  82. ^ "Israeli Conductor Barenboim Wants to 'Liberate' Wagner From Nazi Association". Haaretz. Retrieved 8 January 2023.
  83. ^ a b c d "Spiegel Interview with Daniel Barenboim: 'The Germans Are Prisoners of Their Past'". Der Spiegel. Hamburg. 22 June 2012. Retrieved 18 August 2019.
  84. ^ Supporting Barenboim's position: Editorial, "Keep Wagner on the program", Chicago Sun-Times, 18 December 1991; Karl E. Meyer, "Wagner, Israel – and Herzl", The New York Times, 19 December 1991, p. A18; Leonard Bernstein, "Wagner's Music Isn't Racist", The New York Times, 26 December 1991; Editorial, "A grim Holocaust memory... but don't censor Wagner", Chicago Tribune, 10 July 2001. Opposing Barenboim's position: "Wagner in Israel", The Jewish Star, Calgary edition, 20 November 1981, p. 4; Gideon Hausner, "The case against Wagner", The Jerusalem Post International Edition, 25–31 October 1981, p. 15; Eugene Blum, "Don't play Wagner", The International Jerusalem Post, 10 November 2000; Manuela Hoelterhoff, "Should Israel Switch Off Wagner?" The Wall Street Journal, 13 July 2001, p. A10; Martin Sherman, "With friends like Daniel", The International Jerusalem Post, 20 September 2002, p. 13; Editorial, "Bye-bye, Daniel. As a high profile critic of Israel, Mr. Barenboim's departure [from the Chicago Symphony Orchestra] brings relief", Chicago Jewish Star, 23 June 2006, p. 4; Terry Teachout, "Why Israel Still Shuts Wagner Out", The Wall Street Journal, 31 January – 1 February 2009, p. W1.
  85. ^ Norman Lebrecht (3 December 2003). "Daniel Barenboim – Playing Politics". La Scena Musicale. Retrieved 1 September 2011.
  86. ^ "Conducting a one-man experiment in peace. Profile: Daniel Barenboim". The Sunday Times. London. 21 August 2005. Retrieved 5 May 2011.[dead link]
  87. ^ Daniel Barenboim (9 November 2014). "Germany must talk straight with Israel". The Guardian. London. Retrieved 18 August 2019.
  88. ^ Suzie Mackenzie (5 April 2003). "In harmony". The Guardian. Retrieved 1 September 2011.
  89. ^ Daniel Barenboim (25 October 2004). "Sound and vision". The Guardian. Retrieved 1 September 2011.
  90. ^ Martin Kettle (3 August 2001). "Everything to play for". The Guardian. Retrieved 1 August 2014.
  91. ^ Geraldine Bedell (16 August 2003). "Daniel's codes of conduct". The Observer. Retrieved 1 August 2014.
  92. ^ Avi Shlaim (31 October 2005). "Playing for Peace". New Statesman. Archived from the original on 30 September 2007.
  93. ^ Michael Kennedy (23 February 2003). ""A duet for solo voice" (book review)". Telegraph.co.uk. Archived from the original on 18 October 2007. Retrieved 1 August 2014.
  94. ^ "Conductor Barenboim in radio row". BBC. 3 September 2005.
  95. ^ Smadar Perry (1 May 2012). "'Zionist' Barenboim's Qatar concert cancelled". YNetnews. Retrieved 29 May 2012.
  96. ^ Omar Barghouti (28 April 2012). "Israeli-Arab Normalization Hits a Snag". Al Akhbar (Beirut), English online edition english.al-akhbar.com/node/6756/ Retrieved 29 May 2012. [dead link]
  97. ^ Guy Dammann (29 July 2012). "Prom 18: West–Eastern Divan Orchestra/Barenboim – review". The Guardian. Retrieved 8 February 2015.
  98. ^ Owen Gibson (27 July 2012). "Olympic cauldron lit by sport stars of future". The Guardian. Retrieved 8 February 2015.
  99. ^ Ohad Gozani (17 December 2003). "Barenboim changes tune". Telegraph.co.uk. London. Archived from the original on 10 January 2022. Retrieved 19 August 2019.
  100. ^ "Daniel Barenboim to apologize, receive Wolf Award". Haaretz. Associated Press. 16 December 2003. Retrieved 4 May 2011.
  101. ^ Aron Gideon (5 May 2004). "Rivlin to boycott Barenboim prize award". Haaretz.
  102. ^ Archived copy Archived 20 June 2006 at the Wayback Machine
  103. ^ Yahoo News [dead link]
  104. ^ "Barenboim defies Israeli opinion". the Guardian. 11 September 2002. Retrieved 8 January 2023.
  105. ^ a b c d "Conductor Barenboim slams Israel after musician barred from entering Gaza". Haaretz. Associated Press. 17 December 2007. Archived from the original on 16 April 2009. Retrieved 17 December 2007.
  106. ^ "Israeli pianist Barenboim takes Palestinian passport". Ynetnews. 14 January 2008.
  107. ^ Itzkoff, Dave (6 January 2009). "Barenboim Cancels Middle East Concerts". The New York Times.
  108. ^ Kimmelman, Michael (4 May 2011). "Mozart Leaps Perilous Hurdles to Reach an Audience in Gaza". The New York Times. Retrieved 5 May 2011.
  109. ^ "Conductor Daniel Barenboim holds Gaza 'peace concert'". BBC. 3 May 2011. Retrieved 4 May 2011.
  110. ^ Urquhart, Conal (3 May 2011). "Daniel Barenboim brings 'solace and pleasure' to Gaza with Mozart concert. Israeli conductor voices support for non-violence and Palestinian state during performance for schoolchildren and NGO workers". The Guardian. London. Retrieved 4 May 2011.
  111. ^ "(7163) Barenboim = 1984 DB = 1991 DL". The Minor Planet Center, hosted by the Center for Astrophysics, Harvard & Smithsonian.
  112. ^ "Book of Members, 1780–2010: Chapter B" (PDF). American Academy of Arts and Sciences. Retrieved 17 May 2011.
  113. ^ "Presidenza della Repubblica". Quirinale.it. Retrieved 1 August 2014.
  114. ^ [1] Archived 8 December 2008 at the Wayback Machine
  115. ^ "Conductor Daniel Barenboim Honorary Guide of the Raelian Movement". Raelianews. Retrieved 20 July 2009.
  116. ^ "Daniel Barenboim". International Service. Archived from the original on 24 October 2012. Retrieved 1 August 2014.
  117. ^ "Gold Medal for Daniel Barenboim". The Royal Philharmonic Society. 29 January 2008. Retrieved 29 January 2008.
  118. ^ "37th International İstanbul Music Festival ends". Istanbul Foundation for Culture and Arts. 30 June 2009. Archived from the original on 7 July 2009. Retrieved 20 July 2009.
  119. ^ "Årets-Næste prismodtager Daniel Barenboim, pianist og dirigent" (in Danish). Léonie Sonnings Musikfond. 29 January 2009. Archived from the original on 29 May 2009. Retrieved 28 February 2009.
  120. ^ "Barenboim erhält Westfälischen Friedenspreis". Süddeutsche.de (in German). dpa. 30 October 2010. Retrieved 3 March 2023.
  121. ^ "Westphalia Peace Prize – DW – 10/30/2010". dw.com. 30 October 2010. Retrieved 9 November 2023.
  122. ^ "Cérémonie de remise des insignes de Grand Officier de la Légion d'honneur à M. Daniel Barenboim". Présidence de la République – Élysée. 28 February 2011. Archived from the original on 19 January 2012. Retrieved 4 May 2011.
  123. ^ "Oeuvreprijs Klassiek voor Daniel Barenboim". Edison Klassiek. 29 March 2011.
  124. ^ "Conductor Barenboim to accept British knighthood". AFP. 23 June 2011. Archived from the original on 24 January 2013. Retrieved 23 June 2011.
  125. ^ "Conductor Daniel Barenboim receives honorary knighthood". BBC. 24 June 2011.
  126. ^ "Laureates – Dresden-Preis". dresdner-friedenspreis.de. Retrieved 16 November 2018.
  127. ^ "Daniel Barenboim mit Willy-Brandt-Preis geehrt". Westdeutsche Zeitung (in German). Wuppertal. 25 October 2011. Retrieved 12 June 2019.
  128. ^ "Daniel Barenboim (pianist and conductor)". Gramophone. Retrieved 10 April 2012.
  129. ^ "Pour le Mérite: Daniel Barenboim" (PDF). orden-pourlemerite.de. 2018. Retrieved 10 May 2018.
  130. ^ "Elgar Society Awards". Elgar Society. Archived from the original on 7 April 2020. Retrieved 2 June 2021.
  131. ^ "Gramophone Classical Music Awards 2022 Lifetime Achievement Award". Retrieved 17 March 2024.
  132. ^ "Dirigent Daniel Barenboim soll Berliner Ehrenbürger werden – neue musikzeitung". nmz (in German). 12 April 2023. Retrieved 12 April 2023.
  133. ^ "Martha Argerich y Daniel Barenboim fueron condecorados por el presidente de Francia con la Legión de Honor". LA NACION (in Spanish). 12 December 2023. Retrieved 14 December 2023.
  134. ^ Barenboim, D. (2013). A Life in Music. Arcade. p. 201. ISBN 978-1-61145-537-3. Retrieved 9 September 2020.
  135. ^ "Honorary doctorates". Vrije Universiteit Brussel (in Dutch). Retrieved 15 December 2023.
  136. ^ "Honorary Doctors of Music". Oxford University Faculty of Music. Archived from the original on 10 September 2020. Retrieved 9 September 2020.
  137. ^ "SOAS Honorary Fellows". SOAS. Archived from the original on 1 May 2019. Retrieved 3 August 2014.
  138. ^ "Our history". Royal Academy of Music. 21 April 2020. Retrieved 9 September 2020.
  139. ^ "PhD Honoris Causa". weizmann.ac.il, Academic Affairs Office. 1 July 2015. Retrieved 9 September 2020.
  140. ^ "Daniel Barenboim is awarded an honorary degree in International Relations and European studies – News – Università degli Studi di Firenze". www.unifi.it. 23 June 2020. Retrieved 9 September 2020.
  141. ^ "Daniel Barenboim". GRAMMY.com. 19 November 2019. Retrieved 9 September 2020.
  142. ^ Brown, Mark (26 May 2015). "Daniel Barenboim reveals radical new piano design: 'I've fallen in love with it'". The Guardian. London. Retrieved 6 July 2020.

Further reading

[edit]
[edit]
Wikiquote has quotations related to Daniel Barenboim.
Wikimedia Commons has media related to Daniel Barenboim.
Cultural offices
Preceded by Music Director, La Scala, Milan
2007–2014 		Succeeded by
Retrieved from "https://en.wikipedia.org/w/index.php?title=Daniel_Barenboim&oldid=1257298652"